In the move from music ownership to music access, how might popularity evolve?
Anyone expecting to see a radical change in listening habits may be disappointed.
The first ever weekly top 100 chart of streamed plays, released by the UK’s Official Charts Company on Monday, is broadly similar to the chart of downloads purchases and, therefore, the overall singles chart.
The big news is, the UK’s current number-one single, by Rita Ora featuring Tinie Tempah, is merely #44 in the streaming chart. Instead, top spot goes to Carly Rae Jepsen’s Call Me Maybe, number four in the downloads counterpart.
But, despite only two tracks occupying the same position in both charts’ top 40, streaming appears to give more of a boost to current hits than to older songs.
- Seventeen hit songs present in the downloads top 40 place even higher in the streaming chart, suggesting some popular current songs spin even more online.
- Nine positions in the streaming top 40 are occupied by songs which don’t figure in the equivalent downloads chart at all. That means ongoing plays for Ed Sheeran (x3), Lana Del Rey (x3), Coldplay’s Paradise, Rihanna, Script and Usher tracks which are now selling less.
- Tulisa is amongst the eight artists to be less popular in streaming’s top 40 than via downloads – in streaming, she is 14 places below her #2 downloads chart spot.
The chart is compiled using data from both free and ad-funded services including Spotify, We7, Napster, Deezer, Zune and ChartsNow.
The spokesperson also revealed: “This chart is purely audio streaming, we are in advanced talks with video streaming services to create a separate standalone video streaming chart.” YouTube is the most-consumed music service.
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